Alan Lightman’s The Accidental Universe: The World You Thought You Knew is a book about nesting ospreys, multiple universes, atheism, spiritualism, and the arrow of time. He takes the reader back and forth between ordinary occurrences-old shoes and entropy, sailing far out at sea and the infinite expanse of space. He looks toward the universe and captures aspects of it in a series of beautifully written essays, each offering a glimpse at the whole from a different perspective: here time, there symmetry, not least God. It is a meditation by a remarkable humanist-physicist, a book worth reading by anyone entranced by big ideas grounded in the physical world.
The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination, by one of the modern era’s most significant and most beautiful of all writers, Ursula K. Le Guin, displays her at her very best; and to seek the “best” in an altogether spectacular body of work seems almost antithetical — she blends anthropology, social psychology, and sheer literary artistry to explore complex, often difficult subjects with remarkable grace.
Attention without feeling is only a report: “Life exists only because of a myriad of synchronicities that bring us to this particular place at this particular moment. In return for such a gift, the only sane response is to glitter in reply. Knowing the fractal geometry of an individual snowflake makes the winter landscape even more of a marvel. Knowing the mosses enriches our knowing of the world. Mosses and other small beings issue an invitation to dwell for a time right at the limits of ordinary perception. All it requires of us is attentiveness. Look in a certain way and a whole new world can be revealed. Learning to see mosses is more like listening than looking. A cursory glance will not do it. Starting to hear a faraway voice or catch a nuance in the quiet subtext of a conversation requires attentiveness, a filtering of all the noise, to catch the music. Mosses are not elevator music; they are the intertwined threads of a Beethoven quartet.” So writes one of the world’s leading botanists, Robin Wall Kimmerer, in her masterwork Gathering Moss: A Natural and Cultural History of Mosses — an extraordinary celebration of smallness and the grandeur of life, as humble yet surprisingly magical as its subject.
Questions like why our world exists and what nothing is have occupied minds great and ordinary since the dawn of humanity, and yet for all our scientific progress, they continue to do so, yielding only hypotheses rather than concrete answers. But there is something immutably heartening in the difference between the primitive hypotheses of myth, folklore and religion, which handed off such mysteries to various deities and the occasional white-bearded man, and the increasingly educated guesses of modern science. In the title essay of his excellent The Accidental Universe: The World You Thought You Knew which also gives us beautiful meditations on science and spirituality, Alan Lightman points to fine-tuning — the notion that the basic forces propelling our universe appear to be fine-tuned in such a way as to make the existence of life possible — as a centerpiece of how modern scientists have attempted to answer these age-old questions.