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Janna Levin

BLACK HOLE BLUES AND OTHER SONGS FROM OUTER SPACE

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On her literary blog Brain Pickings the incomparable Maria Popova writes: 1915 paper on general relativity, Albert Einstein envisioned gravitational waves — ripples in the fabric of space-time caused by astronomic events of astronomical energy. Although fundamental to our understanding of the universe, gravitational waves were a purely theoretical construct for him. He lived in an era when any human-made tool for detecting something this faraway was simply unimaginable, even by the greatest living genius, and many of the cosmic objects capable of producing such tremendous tumult — black holes, for instance — were yet to be discovered.
One September morning in 2015, almost exactly a century after Einstein published his famous paper, scientists turned his mathematical dream into a tangible reality — or, rather, an audible one. In Black Hole Blues and Other Songs from Outer Space — one of the finest and most beautifully written books I’ve ever read — astrophysicist and novelist Janna Levin tells the story of LIGO and its larger significance as a feat of science and the human spirit. Levin, a writer who bends language with effortless might and uses it not only as an instrument of thought but also as a Petri dish for emotional nuance, probes deep into the messy human psychology that animated these brilliant and flawed scientists as they persevered in this ambitious quest against enormous personal, political, and practical odds.

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A MADMAN DREAMS OF TURING MACHINES: BRAIN PICKINGS

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There is nothing in the colliding worlds of science, literature and art better than Maria Popova’s magnificent Brain Pickings. Here she is meditating on her beloved Janna Levin and the book A Madman Dreams of Turing Machines: If it is true — and true it is — that creativity blooms when seemingly unrelated ideas are cross-pollinated into something novel, then its most fecund ground is an environment where minds of comparable caliber but divergent obsession come together and swirl their ideas into a common wellspring of genius. There is hardly more concrete a testament to this principle than the Vienna Circle — the collective of scientists, philosophers, and novelists, who met in Europe in the first decades of the twentieth century and shaped modern culture by bringing art and science into intimate, fertile contact. But in the 1930s, as they demolished the boundaries between these disciplines, the Vienna Circle also exposed the limits of logic as a sensemaking mechanism for the nature of reality, limitation being perhaps as necessary to creativity as freedom of thought.

Facts of the world are sealed in minds. People wear a facade. All of reality goes on behind their eyes, and there lie secret plans and hidden agendas. A tar of false motives and intentions. Truth mauled. Because the past does not exist except as a threadbare fragment in the weaker minds of the many.

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